Built to sell out the house
Technology that keeps every seat
sounding like the best seat.
Theatre owners don’t buy watts and diaphragms—they buy full houses and repeat ticket sales. Every LAX component is engineered so your auditorium sounds the same in row A as it does in the back row, show after show.
2500WClass-D headroom per channel
4 in/4 outDSP channels on CA-D amps
TitaniumHF diaphragm material
SoundFlex®Cabinet coating
Inside every LAX system
Five engineering layers.
One flawless soundtrack.
Select a layer to see the engineering behind it—and what it means for your auditorium.
01 / 05Consistent sound, every screen
Amplification
SMPS-based Class-D amplification with power factor correction and 4-in/4-out DSP means the mix your projectionist sets on screen one plays exactly the same on screen six.
- Class-D PWM output
- Power factor correction
- 32-bit / 96kHz DSP
Why it matters
The difference shows up in the reviews.
Without engineered audio
- Dialogue clear in row 3, muddy by row 20
- Amplifiers running hot and cutting out mid-show
- Every screen sounds a little different
- Service calls eating into the schedule
With LAX technology
- One calibrated mix, every seat
- Comprehensive protection keeps every showtime playing
- DSP presets replicate the same sound, screen to screen
- Engineered for daily reliability, not just launch day
Ready to upgrade your auditorium?
Let’s put this technology
behind your next release.
Share your screen count and seating plan. We’ll show you exactly which LAX system pays for itself the fastest.
